Fear and Loathing in Las Vegas - What's The Difference?
Night of the Hunter
Thompson , illustrated by Ralph Steadman. The story follows its protagonist, Raoul Duke , and his attorney, Dr. Gonzo , as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the s countercultural movement. The work is Thompson's most famous book, and is noted for its lurid descriptions of illegal drug use and its early retrospective on the culture of the s. Its popularization of Thompson's highly subjective blend of fact and fiction has become known as gonzo journalism. The novel first appeared as a two-part series in Rolling Stone magazine in , and was published as a book in
The book was published with Thompson's name as the author. In chapter 8 of part I, Thompson tells a story about.
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Hunter S. Thompson - Gonzo Extraordinaire
As a writer - bin all that "cultural icon" stuff, all the cartoon strips and cocaine blizzards and Colorado screamin' - it is hard to see Hunter S Thompson as much more than a footnote, a minor stylist, a figure very much of his era who became stranded when times moved on and he refused to budge. Watergate was like something this Thompson dreamt into existence, coming down one morning from a barking LSD high. But in the quarter of a century since that clammy apotheosis, Thompson has increasingly traded on his totemic reputation. So how did such a relatively minor figure become the recipient of such monumental reams of hagiography? The answer is that like other "iconic" figures - Pollock, Lennon, Kerouac - so much hip faith was invested in his countercultural status that the market could not stand an overhaul: so much was riding on the assumed verities that to take away the myth became at some point unthinkable. And unthought is precisely what the HST myth continues to be.
Joy McEntee does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment. American journalist Hunter S Thompson is a mythical figure, partly by his own design, and partly, perversely, against his wishes. While writing he consumed: Chivas Regal, Dunhills, cocaine, orange juice, marijuana, Heineken, huge helpings of food, LSD, Chartreuse, clove cigarettes, gin and pornographic movies. He then spent some time in the hot tub with champagne and Dove Bars. Compare this with the drug collection of Raoul Duke, the first person narrator of Fear and Loathing in Las Vegas :. We had two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers … and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw either and two dozen amyls … The only thing that really worried me was the ether. This arises in part from the approach which Thompson made famous: Gonzo journalism.